
Reviews
In its L.A. premiere, Ty DeMartino's modest family play feels about as close to an old-fashioned kitchen-sink drama ... More »
This revival of a short-lived 1974 revue derived from the absurdist oeuvre of Eugene Ionesco provides a few giggles ... More »
Tanya Saracho's loose adaptation of "The Cherry Orchard," transplanted to modern-day Mexico, reaches out in exciting... More »

Movie / TV Reviews
Declaration of War
What really gives this film—the official French entry for Oscar's foreign-language competition—its power is that both stars, Jeremie Elkaim and Valerie Donzelli (who also directed), lived a version of it. More »

The Grey
"The Grey," while falling into the action genre, gives Liam Neeson an intriguing character to play, and he easily rises to the challenge. More »

NY Theatre Reviews
Inadmissible
A spoof of the shady side of college admissions, D.B. Gilles' new play offers moments of fun that unfortunately often stretch into periods of tedium. More »

Created Equal
For a show centered on equality, "Created Equal" relies on a lot of polarizing stereotypes, but at least everyone receives the same harsh treatment. More »

Little Miss Muffet's Monster-Sitting Service
Visually striking yet kinetically static, this hourlong marionette musical is driven by an intelligent, humorous script that is probably better appreciated by middle-aged moms than by little children. More »

LA Theatre Reviews
Expecting to Fly
Michael Hyman's long one-act takes its title from the Neil Young song and tells a tale of passionate love and loss, touching on issues of faith and trust, with elements of the supernatural. More »

Hunger: In Bed With Roy Cohn
With all the trappings of a confectionary acid trip, director Jules Aaron crafts a sensory-teasing hallucinatory peek into the backstory of one of America's most enigmatic figures in Joan Beber's new play. More »

Masterpieces
Sarah Daniels' dark and daring 1983 comedy about women and pornography sometimes borders on sermonizing, but director Cinda Jackson's solid production provides a compelling experience. More »

Back Stage Video

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Events Calendar
Industry Grosses

| Rank | Title | Gross |
|---|---|---|
| 1. | WICKED | $1,534,111 |
| 2. | THE LION KING | $1,445,999 |
| 3. | SPIDER-MAN TURN OFF THE DARK | $1,433,241 |
| 4. | THE BOOK OF MORMON | $1,425,488 |
| 5. | HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING | $1,319,824 |
| 6. | WAR HORSE | $960,191 |
| 7. | JERSEY BOYS | $915,982 |
| 8. | PORGY AND BESS | $878,884 |
| 9. | FOLLIES | $878,880 |
| 10. | THE MOUNTAINTOP | $693,128 |
Week ending Jan 30, 2012.
Credit: The Broadway League
| Rank | Title | Gross |
|---|---|---|
| 1. | GREY, THE | $19,665,101 |
| 2. | UNDERWORLD AWAKENING | $12,352,802 |
| 3. | ONE FOR THE MONEY | $11,515,790 |
| 4. | RED TAILS | $10,370,323 |
| 5. | MAN ON A LEDGE | $8,001,932 |
| 6. | EXTREMELY LOUD & INCREDIBLY CLOSE | $6,980,448 |
| 7. | CONTRABAND | $6,704,360 |
| 8. | DESCENDANTS, THE | $6,405,285 |
| 9. | BEAUTY AND THE BEAST | $5,307,807 |
| 10. | HAYWIRE | $4,002,760 |
Week ending Jan 30, 2012.























