
New York Theatre Reviews
NY Review: 'Look Back in Anger'
John Osborne's 1956 play, with its famous angry-young-man protagonist, is unquestionably a landmark work, having upended the dominance of genteel English drawing-room drama. That doesn't necessarily mean it's a great one.

This revival of a short-lived 1974 revue derived from the absurdist oeuvre of Eugene Ionesco provides a few giggles ... More »
This large, immersive multimedia production ruminates on the consciousness of plants by way of a magnificent set des... More »
Erika Sheffer's drama about a Russian-American family contains some snappy dialogue, but the novice playwright gets ... More »

Broadway Reviews
Wit
Cynthia Nixon successfully challenges the memory of Kathleen Chalfant's original cast performance in a sterling revival of Margaret Edson's unflinching drama about a frosty academic facing terminal cancer. More »

The Road to Mecca
Despite sterling performances from Carla Gugino, Jim Dale, and the luminous Rosemary Harris, Athol Fugard's 1984 drama has trouble punching its way across the footlights in the too-large American Airlines Theatre. More »

Porgy and Bess
This romanticized, politically correct revision of George Gershwin's landmark opera attempts to turn it into a Broadway musical but only succeeds in significantly cheapening it. More »

Lysistrata Jones
This nifty little musical update of Aristophanes' classic comedy makes the leap from off Broadway to on without missing a funky step. It's a sassy, sexy, funny treat. More »

Off-Broadway Reviews
Little Miss Muffet's Monster-Sitting Service
Visually striking yet kinetically static, this hourlong marionette musical is driven by an intelligent, humorous script that is probably better appreciated by middle-aged moms than by little children. More »

Growing Up Gonzales
Overflowing with colorful detail and smartly observed anecdotes, this one-man show is an affectionate, funny, and spicily authentic collage of growing up Puerto Rican in the Bronx of the 1970s. More »

Yosemite
Under Pedro Pascal's studied, overly deliberate direction, Daniel Talbott's opaque play keeps its audience at such arm's length that we finally throw ours up in exasperation. More »

Seth Rudetsky's Disaster!
Seth Rudetsky and Jack Plotnik's disaster-movie spoof wrapped in a '70s songbook is amusing in a cheap way and helped immeasurably by a large, gifted cast. More »

Off-Off Broadway Reviews
Inadmissible
A spoof of the shady side of college admissions, D.B. Gilles' new play offers moments of fun that unfortunately often stretch into periods of tedium. More »

Created Equal
For a show centered on equality, "Created Equal" relies on a lot of polarizing stereotypes, but at least everyone receives the same harsh treatment. More »

Bait 'n' Swish
David Sisco's genial divertissement about two 30-something gay friends in Manhattan is both an acting showcase and a fun night out that even manages some unexpected poignancy and depth. More »

A Man of No Importance
This Terrence McNally–Stephen Flaherty–Lynn Ahrens tuner still overindulges in sentimentality and noisy anti-Catholicism, but the Gallery Players certainly do a fine job with it. More »

Cabaret & Dance Reviews
New York City Ballet: All Wheeldon
A hallmark event, this performance of three ballets by Christopher Wheeldon, including the premiere of the luscious "Les Carillons," marks the company's first-ever all-Wheeldon program. More »

Petula Clark
The celebrated English pop singer and actor is making her first NYC nightclub appearance since 1970. Still in superb physical and vocal shape, she delivers an unmissable evening of great singing. More »

David Dorfman Dance: Prophets of Funk
Set to Sly & the Family Stone recordings, this work pays tribute to the music and contains only hints of the political choreography for which David Dorfman is best known. More »

Streb: Kiss the Air!
An undeniably unique display of physical daring, this show presents extreme athletic feats involving bungee cords, zip lines, springboards, and a rotating ladder yet is both exhilarating and maddeningly boring. More »


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Industry Grosses

| Rank | Title | Gross |
|---|---|---|
| 1. | WICKED | $1,534,111 |
| 2. | THE LION KING | $1,445,999 |
| 3. | SPIDER-MAN TURN OFF THE DARK | $1,433,241 |
| 4. | THE BOOK OF MORMON | $1,425,488 |
| 5. | HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING | $1,319,824 |
| 6. | WAR HORSE | $960,191 |
| 7. | JERSEY BOYS | $915,982 |
| 8. | PORGY AND BESS | $878,884 |
| 9. | FOLLIES | $878,880 |
| 10. | THE MOUNTAINTOP | $693,128 |
Week ending Jan 30, 2012.
Credit: The Broadway League
| Rank | Title | Gross |
|---|---|---|
| 1. | GREY, THE | $19,665,101 |
| 2. | UNDERWORLD AWAKENING | $12,352,802 |
| 3. | ONE FOR THE MONEY | $11,515,790 |
| 4. | RED TAILS | $10,370,323 |
| 5. | MAN ON A LEDGE | $8,001,932 |
| 6. | EXTREMELY LOUD & INCREDIBLY CLOSE | $6,980,448 |
| 7. | CONTRABAND | $6,704,360 |
| 8. | DESCENDANTS, THE | $6,405,285 |
| 9. | BEAUTY AND THE BEAST | $5,307,807 |
| 10. | HAYWIRE | $4,002,760 |
Week ending Jan 30, 2012.





















